#UNIVERSAL AUDIO PLUGINS VS WAVES SOFTWARE#

And that's how I think on my feet by lying down the cushions. It worked flawlessly allowing for inter cuts into the original performance recording without noticing an extremely different acoustical signature. This was to approximate the acoustic absorption of the people themselves. I laid them down on the top edges of the backs of the pews. The well padded velvet upholstered cushions on the pews were removable from the pews. It was immediately obvious that the acoustic signature had changed radically without the audience. So we went back to the church to make these corrections without the audience. And a week later, they wanted to make some corrections. A similar scenario to that was a recording I did at the National Presbyterian Church (Pres. Yes, people are like walking ASC Tube Traps, LOL. I don't make any plug-ins but I make plenty of WAVES in my studio and around here. You may not want to wait for their release of their 64-bit stuff? If the Iranians attack, it'll be a long time coming. I've tried some of their stuff though I've not been all that impressed. I know some of their stuff is really cool (coming from the desert). And who really wants to take a swim where the sea is Black? Or is that Dead? Doesn't sound appetizing either way. I don't now how they make WAVES in Israel? It's a desert. Then went back to his older system because the plug-ins hadn't been created yet that would run on his newer HD system. Then he stepped up to a newer ProTools HD system. He had an original ProTools system that he was using. I have a friend who is quite an accomplished engineer. Yeah, like 64-bit distortion is going to be better than 32-bit distortion. A lot of power to be had without any additional outlay of cash.ДЄdobe Audition/Sound Forage user.

#UNIVERSAL AUDIO PLUGINS VS WAVES SOFTWARE#

My first go to is the stock effects provided in the multitrack software package. So while I have purchased certain dynamics plug-ins, I don't generally use them on every track. So even those stock compressor/limiters are even more adjustable than most hardware devices. But presets are a good place to start and then modify them from there. And I frequently draw my own rather than utilizing presets. So I find stock compressors in software to be as sophisticated or as simple as I want them to be. Most hardware limiters can't do that though there are some that do. When done correctly and software, you even have the ability to expand and gate while simultaneously compressing. There are many variables to adjusting compressors and limiters. This takes time and experimentation to obtain the results you want. The software compressors built into Reaper and others are quite capable, quite musical when utilized properly. But if you are just starting out, they can be another confusing variable.

Some are designed to create superduper loudness others are created to emulate popular hardware devices such as UA 1176's, LA 2's, Fairchild 660's and others. As I indicated earlier in your double post, the more expensive plug-ins are designed for a characteristic sound.

Universal audio plugins vs waves